Even Vice President Jusuf Kalla expressed his admiration for the group. What is behind their fame? Is it to do with their rare music genre, which leaves virtually no competitor, particularly among young people? Or can we claim that it serves as a sign of public spiritual thirst yearning for peace amid rampant political chaos and violence, such as terror acts, in the country?
Tweet Erik Ruin, Untitled, Art has always been a tool for me to claim space, build power and speak out about the injustices that have shaped my social experience in the United States.
For nearly a decade, most of my art directly served the immediate, short-term needs of social movement work. Separately, I would spend time developing my own body of work in my studio or collaborating with other artists. For years, these two worlds remained separate. Neither the art-and-culture sector nor the social-justice sector was effectively building models for creative collaboration.
The text below is an adaptation of my talk. Jeff Chang, a brilliant hip-hop critic and journalist, and one of my collaborators in co-founding Culture Strike, has encouraged us to imagine a wave when we think about political change.
Normally, when we envision a wave, we think about a climactic event, but in order to reach the peak, all kinds of forces—many of which you cannot see—need to come together. Artists are central, not peripheral, to social change. In the world of art and culture, many of us help construct the conditions that lead to Youth culture essay climax.
Culture is a space where we can introduce ideas, attach emotions to concrete change and win enthusiasm for our values.
With public sentiment, nothing can fail; without it, nothing can succeed. You may attend a rally or vote, but you also read books, listen to music, engage with visual art, turn on the radio and create your identity through culture. To have the movements that make the wave, you need cultural workers.
Van Jones, design by Citizen Engagement Lab The environmental Youth culture essay human rights activist Van Jones has made an excellent graph mapping the political ecosystem.
On the left you have action, and on the right, ideas; elites are at the top, and the masses are below. The inside game is the force that creates policy. On the outside, we apply tremendous pressure so that our elected officials pass laws that give us power.
The Occupy and immigrant rights movements are forceful players in this outside game, making sure that the inside is moving. Normally, and especially when we are in campaign mode, we tend to think about what artists can contribute to the action space. We think about how artists can strengthen the will and push people to act.
And this is a good thing. They think big, visionary ideas. Ernesto Yerena, Peace Migrates, For the last 20 years, because funding for both the arts and social services has been cut, artists who wish to contribute to social change have often been tasked with holding community workshops.
While this is important, it also means we move further away from giving artists the space, time and resources to create a body of work. Artists are immediately channeled into an action space because their contributions are viewed in transactional ways.
As artists, we need to communicate more than what we stand against or why particular policies affect us negatively, because limiting our commentary to such reactions would confine the social imaginary to existing political frameworks and systems that we do not control.
We should also present our vision for who we are, and show why that vision is a positive one. Working in the realm of ideas does not take energy away from the action space. Cultural strategies are as necessary as political strategies.
With communication strategy you are still in the action space, meeting the needs of the campaign or reacting to dominant messages in the media.
The idea space presents more complex messages. It allows us to deal with contradictions and gray areas. Think about culture as rain readying the crops.
To give you a sense of the time frame in which cultural shifts happen, and how that eventually translates into policy, look at LGBTQ culture, which finally made its way onto mainstream TV in the s.
Soon after came the Laramie Project, a play about the life of gay college student Matthew Shepard—who was tortured and murdered in —that was performed in high schools across the country. The injection of gay-friendly content into all aspects of our culture, from TV to high-school curricula and even sports, clearly spoke to our collective imagination.
Julio Salgado, I Am Undocuqueer, Imagine what it would be like if we could have a Laramie Project for immigrant rights, a play about undocumented youth, become popular in high schools.
How long would it take us to get to a place where migration was viewed as normal and natural, and where we respected the human rights of people who have crossed national borders? When is the right moment to inject culture into a political movement?
You go to the theater, watch sports or listen to music, and culture just happens to you. We need to understand timing politically to know when it makes sense for cultural interventions to happen.Culture definition, the quality in a person or society that arises from a concern for what is regarded as excellent in arts, letters, manners, scholarly pursuits, etc.
See more. RACE, CULTURE, AND EQUALITY 1 by Thomas Sowell. During the 15 years that I spent researching and writing my recently completed trilogy on racial and cultural issues, 2 I was struck again and again with how common huge disparities in income and wealth have been for centuries, in countries around the world-- and yet how each country regards its own particular disparities as unusual, if not unique.
KUMEYAAY INDIAN HISTORY research essay facts about Native American precontact prehistoric historical San Diego County in Southwestewrn Southern California Mexico. All my history essays will conclude with how hard it is being black.
Turnitin provides instructors with the tools to prevent plagiarism, engage students in the writing process, and provide personalized feedback. Artist Favianna Rodriguez, who co-founded the immigrant rights organization Culture Strike, reflects on how cultural undercurrents come together to make waves of political change.